So what are they putting in the water in Kent that makes Chord Electronics DACs continually win award after award? Well, it has to be something to do with the Rob Watts FPGA (field programmable gate array) custom chip set.
Unlike almost all the competition who buy off the shelf OEM Chips then apply in house technology to make them work in their DACs Chord use their own custom coded chips that somehow sound different to any other in the market place.
Whether you think Chord DACs are better than the competition is probably personal taste but they do sound different. The best way I think I can describe them is to me they don’t sound digital, forget how much treble or how much bass they may or may not have or whether they are forward or analytical all words when describing other DACs.
This DAC gives the impression of having an insight into the music without the digital hash that is often present with other DACs. We can use words like detail, clarity, coherence, dynamic range, timing as many customers and reviewers alike have when eulogising about Chord DACs but there is more to it than that.
We used our tried and tested dem track Duke’s Place from the Louis Armstrong & Duke Ellington album The Great Summit a recommendation incidentally.
This track is testing in that Louis sings close to the mic and can exaggerate sibilance in a forward sounding system and the Double bass can appear overblown in an over exuberant bass heavy system, not with the Qutest though, even when playing with the filters which whilst can subtly change the tonal balance was never caught out.
I also tried it connected directly to the digital output of a Naim Uniti Core over many hours and no matter the type of music from the Latin Rock rhythm of Los Lobos, Colossal Head to the Chilled Out beats of Bent The Everstanding Blink and through Tori Amos Night Of the Hunters showing all the subtleties her vast vocal range, it just sounded right and not once drew attention to itself.